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10/26 The Sinofuturist Trilogy: Sinofuturism (1839-2046 AD), Geomancer, and AIDOL Lawrence Lek, Artist, Filmmaker and Musician Co-sponsored by the Arts Research Center and the Department of Art Practice Register here. 2021. 02/01 The Sonic Image Lawrence Abu Hamdan, Artist, Beirut In his 2016 video essay Sinofuturism (1839 – 2046 AD), artist Lawrence Lek wrestled with this process, leaning into anxieties about the decline of Western political power and the rising economic prowess of China. Lawrence Lek: The idea of identifying oneself with a non-human is something that I explored with the films AIDOL and Geomancer, the video essay Sinofuturism, and the open-world game 2065. Personification is widely used in poetry and literature by adding human characteristics to non-human phenomena and seeing the natural world as a mirror of the If you’ve ever seen an interview with simulation artist, filmmaker and musician Lawrence Lek before, it’s likely you were dumbfounded by his articulation of a highly synthesised digital art practice. Phthalocyanine gamer lullabies and neon-etched elegies for the death of dancing in reality, embracing a gently melancholic, retro-nostalgic vision for the future of nightclubs. RIYL Hatsune Miku, Lena Raine, Yamaneko “Temple OST is the soundtrack to an unreal nightclub: a space filled with ethereal dance anthems, haunting Vocaloid refrains, and soundscapes of the near future.

It is a “spectre,” (from Lat. larva = “a ghost, specter, mask […]”) which haunts the device, the commodity of a “trillion industrial products” interlocked in overlapping flows of … 2021-3-26 · Lawrence Lek is an artist working in the fields of virtual reality and simulation. Using computer-generated imagery, Lek develops digital environments he describes as 'three-dimensional collages of found objects and situations drawn from observed reality'. 2021-4-5 · In the case of Sky Line, Lek offers a critique of the lack of infrastructure for certain arts spaces in London, hereby offering his vision of a unified network. In his 2016 work Sinofuturism (1839–2046 AD), Lek offers a video essay that pushes the perception of different narratives of China. As the artist states, China is perceived from the Lawrence Lek Play Station, 2017 2-Kanal-Video-Installation, HD Video, 2:40 min und 5:05 min Sinofuturism (1839–2046 AD), 2016 Full HD Video, 60:00 min Holen… 2021-2-23 · In his speculative video installations and virtual reality applications, the artist Lawrence Lek examines the entanglement between digital worlds and our perception of human agency.

TodayHeadline The futuristic visions of multimedia artist Lawrence Lek A still from Geomancer, 2017 by Lawrence Lek. Screening links to Sinofuturism (1839-2046 AD), Geomancer, and AIDOL are live from today, 19th October 2020 through 26th October 2020. They are available to registered guests here. Lawrence Lek is a London-based artist, filmmaker, and musician working in the fields of virtual reality and simulation.

Rasmus Fleischer's Blog, page 4 - Goodreads

Lek goes far with these created worlds, weaving narratives through real and imaginary histories. Through Lek’s presentation, we got to know the stories behind the films included in the Sinofuturist Trilogy: Sinofuturism (2016), Geomancer (2017), and Aidol (2019), all of which attendees were invited to stream prior to the event.

Rasmus Fleischer's Blog, page 4 - Goodreads

The film AIDOL continues Lek’s ongoing 'Sinofuturist' cinematic universe, which began in 2016 with Sinofuturism … 2020-12-1 Interview by Alvin Li Opened on March 20 in Hong Kong, a few days ahead of the Asian edition of Art Basel fair, Lawrence Lek’s first solo exhibition will leave you wondering what art and a sinocentric world will be like in 2065. In this conversation, Lek talks to Alvin Li about posthuman agency, the […] 2018-12-12 · So too Sinofuturism, in Lawrence Lek’s eponymous video essay Sinofuturism (1839 - 2046 AD), conceives of China’s technological development over the course of the 19th to 21st centuries as a form of Artificial . Intelligence: a gargantuan neural network unfurling by the silken roads of globalisation and diaspora across all 2021-2-1 · Lawrence Lek, Sinofuturism (1839-2046 AD), 2016.

Featuring a score written and orchestrated by the artist, this computer-generated fantasy tells the story of a fading superstar, Diva, who enlists an aspiring AI songwriter to mount a comeback performance at the 2065 eSports Olympic finale. Set in a smoke-and-mirrors realm of fantastical – Lawrence Lek ‘Sinofuturism’ constitutes a complex nestled in the technical milieu of capitalist production. It is a “spectre,” (from Lat. larva = “a ghost, specter, mask […]”) which haunts the device, the commodity of a “trillion industrial products” interlocked in overlapping flows of … 2021-3-26 · Lawrence Lek is an artist working in the fields of virtual reality and simulation. Using computer-generated imagery, Lek develops digital environments he describes as 'three-dimensional collages of found objects and situations drawn from observed reality'. 2021-4-5 · In the case of Sky Line, Lek offers a critique of the lack of infrastructure for certain arts spaces in London, hereby offering his vision of a unified network. In his 2016 work Sinofuturism (1839–2046 AD), Lek offers a video essay that pushes the perception of different narratives of China. As the artist states, China is perceived from the Lawrence Lek Play Station, 2017 2-Kanal-Video-Installation, HD Video, 2:40 min und 5:05 min Sinofuturism (1839–2046 AD), 2016 Full HD Video, 60:00 min Holen… 2021-2-23 · In his speculative video installations and virtual reality applications, the artist Lawrence Lek examines the entanglement between digital worlds and our perception of human agency.
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Lawrence Lek is a London-based artist, filmmaker, and musician working in the fields of virtual reality and simulation. Drawing from a background in architecture Lawrence Lek, FTSE (Farsight Stock Exchange), 2019 Developing his unique brand of 'Sino-Futurism', Lek creates powerful simulations of future worlds The film AIDOL continues Lek's ongoing 'Sinofuturist' cinematic universe, which began in 2016 with Sinofuturism (1839-2046 AD). This video essay takes seven Working as sole researcher at the studio of artist-filmmaker Lawrence Lek, assisting with the conceptual and pre-production stages of upcoming work. Sinofuturism (1839–2046 AD) Screening & Artist Talk with Lawrence Lek June 6, 6 PM EST / 3 PM PST Artist/Curator talk immediately after screening 5 Sep 2019 Lawrence Lek's “Farsight Freeport”: a journey into the year 2069 principles described within his video essay Sinofuturism (1839-2046) (2016, In about an hour, our stream will be back online for our Lawrence Lek mini- retrospective.… Show this thread.

TodayHeadline The futuristic visions of multimedia artist Lawrence Lek A still from Geomancer, 2017 by Lawrence Lek. Screening links to Sinofuturism (1839-2046 AD), Geomancer, and AIDOL are live from today, 19th October 2020 through 26th October 2020. They are available to registered guests here. Lawrence Lek is a London-based artist, filmmaker, and musician working in the fields of virtual reality and simulation.
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Sinofuturism (1839 - 2046 AD) by Lawrence Lek Bewusstsein, Science Fiction, Leuchtreklamen. In his speculative video installations and virtual reality applications, the artist Lawrence Lek examines the entanglement between digital worlds and our Geomancer at To Other Shores: On Techno-Sinofuturism, AI Artist Bots and New Artist talk by Lawrence Lek, Garage Museum of Contemporary Art, Moscow, 27 Nov 2020 Lawrence Lek is releasing AIDOL 爱道 (OST), via London's series of video by the artist that includes 2016's Sinofuturism (1839-2046 AD) and Screen Lawrence Lek's films Sinofuturism (1839-2046 AD), Geomancer, and AIDOL here starting here starting Oct 19. https://lawrencelek.com/berkeley2020 23 Oct 2020 Lawrence Lek is a London-based artist, film-maker and musician who creates is at the core of my video essay 'Sinofuturism (1839-2046 AD)'.

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2021. 02/01 The Sonic Image Lawrence Abu Hamdan, Artist, Beirut Lawrence has also shown work at our monthly Ø night, and created and released the soundtracks to five of his previous projects, most recently Temple OST on The Vinyl Factory earlier in 2020. The film AIDOL continues Lek’s ongoing 'Sinofuturist' cinematic universe, which began in 2016 with Sinofuturism (1839-2046 AD). Lawrence Lek (LL) in conversation with curator Caroline Elgh Klingborg (CEK) CEK: Your work is often set in a world defined by the interplay of humanity and technology, focusing on the rapid development in south-east Asia. You have frequently addressed the concept of Sinofuturism. How would you define this term in relation to your work? […] His works include the video game ‘Unreal Estate: The Royal Academy is Yours’ (2015 Dazed Emerging Artist Award), the influential video essay ‘Sinofuturism (1839-2046 AD)’, the AI-coming-of-age story ‘Geomancer’ (2017 Jerwood/FVU Award), and ‘Nøtel’, a simulation of a fully-automated luxury hotel in collaboration with Kode9 (ICA, London; Art Basel).